And, alas, the timeline isn’t the most responsive we’ve used, feeling sluggish in operation when things begin to get complicated. On the other hand, there’s no way of controlling the way tracks react when cuts and edits are made upstream.Ĭamtasia’s default position is to leave all tracks in place unless you choose to use the cut tool, at which point the downstream elements on the affected track close up. That gives plenty of scope for creative animation, and any element on the timeline can be manipulated in this way. Yes, the grouping functions and facility to lock tracks is useful, and we do like the way elements can be keyframe-animated, with keyframes displayed in a collapsible lane just below the relevant video clip. Along with more tracks comes increased complexity, though, and the Camtasia timeline doesn’t feel best equipped for the job. That’s welcome, of course, as are the improvements to transitions between clips, which mean they now overlap the beginning and end of clips, instead of elbowing them aside creating awkward gaps. The last of the major upgrades is to the timeline editor, with Camtasia Studio now able to support an unlimited number of tracks rather than the single video, effects, music and audio tracks the previous version was restricted to. Also, bear in mind that with one computer responsible for both decoding and encoding video simultaneously, you’ll need a powerful machine to make higher resolution recordings viable. One slight issue we experienced here was the inability to change the frame rate, so while Camtasia works beautifully with most internet video content, anything produced at 24fps or 25fps doesn’t look quite as smooth. Second, it opens the way to capturing a wider range of source material, from Full HD web-streamed video to in-game footage, broadening the appeal of the software dramatically. If you’re thinking that doesn’t sound particularly useful to software demo producers, you’d be right, but what it does do is dramatically expand Camtasia’s flexibility.įirst, for those who regularly include video content in productions, the output will now look far more professional. The previous version used a codec that was capable of capturing screen activity at only 15fps second the new TSC2 codec now boosts that to a far smoother 30fps. TechSmith has also upgraded the application in several other crucial areas, beginning with the recording engine. There’s support for the iPad and iPhone via a special player that can be downloaded from the Apple App Store, and for those without their own hosting the software comes with 2GB of storage (and 2GB of bandwidth per month) on .Īs a tool for producing learning materials such as tutorials, this gives Camtasia a significant boost, allowing producers to engage more easily with their viewers, and to get quick feedback from tutorials and other educational materials. If it’s been released in that time and has some kind of processor, he’s probably tested it.Despite having written about enough PCs, laptops, tablets, routers, smartphones, headphones, graphics cards, monitors, printers, scanners, cameras, cars and smart tech to fill an Amazon warehouse, his enthusiasm for all things shiny has never waned. He’s been smitten ever since, and having decided to forge a career in technology journalism, he’s now been testing, reviewing and dispensing balanced and objective advice for over 20 years. Jon has been tinkering with tech since the days when 128KB was a lot of storage, and games took 20 minutes to load via tape cassette.
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